



articles/Cameras/nikon-d810-page5
by Mike McNamee Published 01/02/2016
High Pass Workflow
This uses the methods originally devised by
the late Bruce Fraser and are those used in
the PixelGenius software (www.pixelgenius.
com). The method is described in the call
out. We compared the two methods on the
same image and preferred the Smart Sharpen
result from printed samples.
Actions for Sharpening
The Bruce Fraser Method
Here is the recipe for the so-called High Pass filtering technique. It is essentially the same as that proposed
and used by the late Bruce Fraser of the PixelGenius group. It is not too involved but rather than looking up
the values every time, it is best to make an action, so this is included in this recipe.
For absolute best practice, when using an Epson inkjet printer, scale your image to the correct size, making
your resolution 360ppi without 're-sampling' the image. This may create an inconvenient size of print, but
it might be best to at least make a reference print this way. Thus a Nikon D3S would create an image that
is 4,256x2,832 pixels or 11.82x7.87". The image is best made from a Raw file, setting the output from Raw
to 360ppi. The image should be flattened so that it only contains a background. Remember also that any
borders added to a print retain the resolution of the original so that the actual ppi value remains but the file
grows in size. The method described assumes that pre-sharpening to the level suggested in the table on the
previous page has been carried out using the Detail slider in ACR.
With the image opened in Photoshop:
You now have a basic set-up. The actual level of sharpening may be controlled by reducing the opacity of the 'Duplicate' layer (it looks grey following the High Pass filtration). Selective area sharpening may be controlled by painting on the Layer Mask attached to the duplicate layer. By default all the image is sharpened, painting with black to protect parts of the image from being sharpened. Typical things you would not sharpen are skin, out-of-focus backgrounds and skies.
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